We started with Batch #1 of the 2011 Fallbrook Syrah, which was fermented with ICV-D80 yeast. This wine has a slight acetone aroma, though not too bad, with nice aromas of spice, roasted plums, sage, and tobacco. It is a lovely ruby-garnet in color, very opaque and dark. We all agreed this wine is loaded with oak already, with lots of spice, smoke, and very acidic/tart on the tongue. It’s also a little gritty, it definitely needs a racking and more time to clear.

Batch #2 was next, this batch was fermented with Pasteur Red yeast and we kept the free run and press run separate. We tasted the free run first, happily it did not have the acetone aroma like batch #1. This wine has more fruity aromas with light spice and smoke, cherry and tobacco. It is more purple in color than batch #1, with mouthwatering, smooth, buttery flavors of ripe red fruits balanced nicely with rich tannins. This wine is not as tart as batch #1, in fact it has a slightly sweet finish. We then tasted the press run, which we expected to be harsh in comparison but is surprisingly smooth and buttery as well. It was definitely more tannic than the free run, with a sort of sweet/sour agrodolce flavor and a little more acidity than the free run. We also got the classic floral rose and violet flavors often associated with syrah on the finish with this wine.

On to Batch #3, fermented with ICV-D254. No acetone with this batch either, lots of dust, leather, and dark red fruits on the nose. This wine is a lovely ruby-garnet, very smooth and clear already. Nice grippy tannins on the tongue, with well balanced, smooth flavors of fruit, spice, and oak.

We then tasted Batch #4, fermented with CLOS yeast strain. This batch has been the most disappointing, it just lacks anything special. No acetone, good mouthfeel and very drinkable but just kind of bland and boring, lacking depth. This wine went well with food, and would probably benefit from blending with another varietal.

I also needed to check the 2010 vintage for oak anyway, so we gave it a taste. This is the Stinky Syrah — LOTS of acetone! Although we all poured from a single bottle, a few people did not have any acetone aromas. The acetone was overwhelming where it was present, in those glasses it was absent we could detect licorice and spice, definitely potential for a great wine. But, something needs to be done to address the acetone problem — I will splash rack it out of the barrel into the empty barrel I have and dose up the sulfite, hopefully that will fix it as it has in the past.

Finally, we tasted the original vintage, 2009. This year was the third leaf for the vineyard, but was hit by a heat wave just prior to harvest. As a result, the berries were very concentrated — the ones that survived, anyway. This wine has changed a lot over the years, which gives me hope for the problems with the 2010 vintage. This wine is now splendid, with aromas of black tea and stewed prunes, a lovely garnet in color. Smooth, slightly sweet flavors of raisins and light spice are nicely balanced with light tannins and a long finish. Unfortunately I only have 9 more bottles left, but I’m going to sacrifice one to send in to the Winemaker Magazine competition this year, I definitely think it will get a gold!

Overall, everyone loved the 2011 vintage wines. It was a toss-up whether the free run batch #2 or batch #3 was the favorite, but everyone agreed that the 2009 vintage is amazing. We will rack all of the 2011 batches and add more oak to some: Batch #1 does not need any more oak; Batch #2 free run will get a little Hungarian oak, while the press run will get a blend of French and American oak; Batch #3 will get a little bit of French oak chips; and Batch #4 will get American oak to hopefully give it some oomph. We’ll get together again in about 4 – 6 weeks to see how they’re doing!

Prefermentation American Oak (10 g/gallon, 1 week exposure): Dry, but brings out citrus and vanilla flavors.  Oak very subtle, but definitely detectable.

Prefermentation French Oak (10 g/gallon, 1 week exposure): oak is also very subtle, but adds to the flavor; seems to add more to the mid-palate than the prefermentation American oak.

Post fermentation American oak (1 month exposure):  Oak more perceptible, wine is more buttery with more vanilla; 10 grams per gallon oak definitely more intense oak flavors than 5 grams per gallon, and both more oak flavors than the prefermentation oak.  10 grams per gallon post-fermentation oak is almost a little too much for the American oak, finishes flat with no mid-palate.

Post fermentation French oak (1 month exposure): the most “pleasant” oak flavors to our palates.  Smooth, rich mid-palate with cloves and cinnamon.  Again, the 10 grams per gallon is almost a little too much, though with longer aging this may turn around.

Our favorite is the post-fermentation 5 grams per gallon French oak, and we both prefer the French oak over American; it’s a more subtle, rounded oak influence than the American.  However, I remember that at the Winemaker magazine conference in Santa Barbara, all of us at the table preferred the prefermentation oak samples.  Tim used a different Chardonnay kit than I did, which could definitely influence our preferences.  In fact, I’m sure if I did this trial with a zinfandel or cabernet, I would prefer American oak over French, based on how it compliments the varietal.

It is very interesting to taste the difference between pre-fermentation oak and post-fermentation oak.  The yeast metabolize the oak flavor molecules to yield a different flavor profile.  However, this type of oak trial is quite an endeavor, and not something to do with every wine!  But, if you’re feeling ambitious, I highly recommend doing one on your own.  Maybe try both a red and a white!

One reason I was prompted to open this wine again is the announcement by Winexpert that they will be reinstating crushed grape pack kits again. They say the new kits will be an improvement over the old Crushendo kits, and after my experience with this one kit (and the only Crushendo I made, I admit) I hope they mean it! The new kits should be out soon, and I’ll definitely get them in stock at Curds and Wine (shameless self promotion).

I realized I haven’t really done a head-to-head tasting of my 2008 Merlot lots A and B yet. After being so disappointed with the barrel batch of merlot from that vintage, I’ve been holding out to wait 2 years to pop the smaller batch of lot A. Happily, the time has come!

Tasting notes:
Merlot lot “A”, first tasting (2 years in the bottle), comparing directly to Merlot lot “B” from same vintage. This lot A (RC212 yeast, fast ferment; blended with some Cabernet Sauvignon) is a little more cherry red than lot B (Pasteur Red yeast, slower ferment; 100% merlot), which is more garnet in color. First tasted without aeration. Cedar and spice box on the nose with blackberries and brambles. Lots of pronounced oak, very hot, but good fruit flavors up front followed with lingering spice in long finish. A little more fruit on the nose in lot B, also more fruit and less spice and oak in lot B, smoother and more balanced; still quite hot.

With aeration fruit aromas much more pronounced in both wines. Flavors smoother in lot A but still hot; lot B became sweeter and more mellow.

Overall, I prefer lot B when tasted side-by-side, though both wines are very nice. However, I do wish I had watered back both musts to 25 or even 24 brix prior to fermentation, they are both so alcoholic it throws them out of balance. This is how we learn!

I bottled both the Cellar Craft 2010 limited edition Marsanne-Viognier-Roussanne and the Winexpert Spanish Rose today, getting ready for summer sipping.  The MVR wasn’t quite clear, which I think might be due to my use of marbles for topping up my wines.  When wines with marbles are moved at all from their place of rest to the racking table, it seems to disturb the fine lees to a point that they never settle back in and clear out.  It hasn’t happened with every wine, but seems to happen a lot; or, I just happen to need marbles in wines that won’t clear very well anyway.  Either way, I ended up filtering the MVR with my Buon Vino minijet filter and a #2 polishing pad, and since I had it all set up I filtered the rose after the MVR also.  As usual, there were partial bottles of both at the end of the day, so I tasted these.

Tasting notes for the Marsanne-Viognier-Roussane:  Huge aromas of fresh apple, peach, and apricot. This wine was filtered, so very clear, pale gold in color. Actually very drinkable today, very balanced, with flavors of crisp red apple, melon, peach and citrus. Long, luscious, mouth-filling finish. Definitely more integrated already than the 2009 version of this limited release.

Tasting notes for the Spanish Rose:  Bottling day tasting note from partial bottle. Very faint nose, barely any aromas. This wine was filtered, so very clear, lovely rose color. Flavors of strawberry and guava with light spice, though very closed up.  It did open up later in the evening, so I’m very much looking forward to having this wine around for summer cookouts and sunsets.